Lisa De Leeuw

About Lisa De Leeuw

Lisa De Leeuw was born Lisa Trego on July 3, 1958, in Moline, Illinois, USA. Growing up in the Midwest, she had what has been described as an average childhood, raised in a typical working-class environment. She was known to be athletic and tomboyish during her youth, participating in sports and outdoor activities. Her ethnicity is Caucasian, with her surname "De Leeuw," meaning "The Lion" in Dutch, suggesting possible Dutch ancestry, though little is documented about her family heritage.

De Leeuw entered the adult film industry in the late 1970s, reportedly influenced by a boyfriend who managed a theater that screened X-rated movies. Initially hesitant, she moved to Los Angeles with him in 1978, seeking a change from her small-town life. After losing approximately 40 pounds and beginning to model for men’s magazines, she transitioned into pornography at age 19. Her debut came with the 1979 film "800 Fantasy Lane," marking the start of her career during the "Golden Age of Porn."

Throughout her career, De Leeuw worked with notable studios such as Swedish Erotica, Vivid Video—where she was among the first to sign an exclusive contract—and other prominent companies of the era. She appeared in nearly 200 films, including titles like "Amanda by Night," "Ultra Flesh," "Pro Ball Cheerleaders," "Garage Girls," "I Like to Watch," "Aunt Peg Goes to Hollywood," "Coed Fever," and "Dixie Ray Hollywood Star." She is best known for her roles in "Amanda by Night," which earned her critical acclaim, and scenes such as her shower sequence with John Leslie in "Garage Girls," often cited as one of her standout performances.

De Leeuw collaborated with numerous industry figures, including Seka in "Ultra Flesh," John Leslie, Bridgette Monet, Paul Thomas (with whom she frequently worked), and John Holmes in loops like "Aching Jaws." Her filmography reflects a mix of plot-driven features and hardcore scenes, showcasing her versatility.

Her work garnered several accolades. She won the 1981 CAFA Award for Best Supporting Actress for "Amanda by Night," the 1982 CAFA Award for the same category for "Blonde Heat," the 1985 AVN Award for Best Supporting Actress—Film for "Dixie Ray Hollywood Star," and the 1986 AVN Award for "Raw Talent." She was also inducted into both the XRCO and AVN Halls of Fame, recognizing her lasting impact on the industry. Specific nomination details beyond her wins are less comprehensively documented.

Physically, De Leeuw stood at approximately 5’5” with a curvaceous build, characterized by her striking red hair, freckles, and full lips. Her natural breast size was often noted as 38D, a feature that became one of her trademarks. She often wore a distinctive lion-head pendant necklace, reflecting her surname and adding to her on-screen identity.

Fans admired De Leeuw for her vibrant energy, genuine enthusiasm, and approachable demeanor. They found her sexy for her voluptuous figure—particularly her large breasts and hips—and her uninhibited performances, which exuded a raw sexual intensity. Her red hair and freckled complexion were frequently praised, setting her apart in an industry dominated by more conventional looks. Her unique blend of natural beauty, acting ability, and a brassy, Mae West-like persona distinguished her from peers.

De Leeuw was known for a range of sexual acts, including anal and double penetration scenes, which were less common during her era and contributed to her reputation as a bold performer. Her sexuality off-screen is not extensively documented, though her on-screen work included both heterosexual and lesbian scenes, suggesting a performative flexibility rather than a confirmed personal orientation.

Controversies surrounding De Leeuw are primarily tied to rumors about her death. The adult industry’s underground nature during her time has led to conflicting narratives. No major scandals marked her career otherwise, though her exit from the industry in 1987 was abrupt and unexplained publicly.

Details of her death remain uncertain. Widely reported to have died on November 11, 1993, from complications related to HIV/AIDS, according to a 2003 publication, Headpress 25, this account contrasts with earlier claims. In the 2000 book Skinflicks: The Inside Story of the X-Rated Video Industry, author David Jennings noted that De Leeuw, along with Brandy Alexandre, refuted rumors of their deaths from AIDS in the late 1980s, asserting they were alive and healthy. Other unverified reports, including a Facebook post, have suggested she might have survived into the 2000s, possibly living quietly in North Carolina. Due to the lack of official records and the era’s limited documentation, her fate remains unconfirmed, with November 11, 1993, cited as the most commonly accepted date of death, though not definitively proven.